@article{Campos_2021, title={Between science and popular culture: video clip on the scene}, volume={2}, url={https://cadernos.abralin.org/index.php/cadernos/article/view/599}, DOI={10.25189/2675-4916.2021.v2.n4.id599}, abstractNote={<p>The aim of this Research Report is to discuss the argumentative impact of the discourse regarding the production of the CoronaVac vaccine by the Butantan Institute, in São Paulo, through the video clip publicizing the vaccine during the tragic Brazilian scenario of the Covid-19 pandemic. Two aspects are considered: the clash between Science and scientific denial and the verbal-visual arguments of the funk genre, allowing us to analyze how the discourse of Science, in the popular voice, becomes accessible to the public. Based on the slogan “Brazil's vaccine” and the dissemination of the video clip by MC Fioti, a young man from the urban periphery, this work takes the theoretical perspective of Dialogic Discourse Analysis (Bakhtin/Volóchinov), seeking, firstly, to identify the discourses of Science present in the funk parody “Vacina Butantan, Bum Bum Tam Tam remix” (01/2021), to then analyze the argumentation present in the clip, exploring different forms of the presence of the other's discourse. Then, it seeks to highlight the following results: the displacement of meaning around those who do Science and the approximation of the funk artist with the space of the Butantan Institute, the established relationships between approaching the research center at the same time ethical and culturally and finally the repercussion that art promotes when discussing the scientific position of the production and use of vaccines against Coronavirus.</p>}, number={4}, journal={Cadernos de Linguística}, author={Campos, Maria Inês Batista}, year={2021}, month={Dec.}, pages={e599} }